I listen to Kathy Young and hear a producer shouting profanity, not suggestions, because things aren't going as smoothly and quickly as he'd like. I listen to the Beatles childishly argue what's best for their songs; usually Paul won those arguments (Paul is probably the cause of the Beatles' break-up). I listen to early takes and late takes of hit songs and gather the group, producers and song writers had no idea what their "hit" song should sound like.

To me, most producers were like adult supervisors, who had money and/or connections in the music industry. It wasn't necessary for producers to partake in the recording sessions, maybe just pay expenses. Easy return on your investment.

Interesting piece about Joe Meek! Thanks!

Footnote:
Remember, you're addressing someone who thinks The Beatles' were part of the biggest Payola scheme, but since everyone was profiting, who cared. I also feel Pete Best had drumming qualities (along with the drummer on Mr. Bennett's rendition) that Ringo didn't, and if Paul was such a great producer he would have had Ringo terminated from The Beatles. However, they were all mediocre musicians, who were offered a Ticket To Ride from darkened UK pubs.

Best,
John

• RE: Got To Get You Into My Life - 60's Artist Unkown - Jim Liddane 09/07/2009 11:46:40 EDT (0)
• RE: Got To Get You Into My Life - 60's Artist Unkown - Jim Liddane 09/07/2009 11:46:51 EDT (1)